Surface Echoes

Surface Echoes is a resource that was developed over three years with input from creative professionals, arts and health researchers, working in partnership with individuals affected by eczema. Led by Professor Sara Brown and Beverley Hood, Surface Echoes brings to life the everyday challenges and emotional impact of eczema. Using verbatim quotes of people affected by eczema, a text collage was produced by artists Beverley Hood and Catherine Street. The collage was then transformed in to two downloadable resources – a printable PDF script of the collage and an audio version – developed to create empathy, spark conversation, and deepen understanding of the realities of living with eczema.

I was involved with making the collage of the Surface Echoes script available digitally as a PDF, manipulating the scanned version in Photoshop to make it easier to read and understand while still maintaining the scratchy, disruptive aesthetic of the original. I worked closely with Beverley Hood and Catherine Street, reading through the script to analyse how the degraded collaged form slows down the reader to create a more thoughtful reading experience and how that engagement can be improved with subtle typographic interventions.

In addition, I was involved in recording the audio version of the script, adding my voice alongside Elicia Daly, Claire Doyle, Dyfan Dwfor, Pauline Goldsmith and Sarah Rose Graber in a sound design by Liam Russell. 

The printable PDF script and audio version of Surface Echoes can be downloaded here. 

Restoration!

Lady and the Fan is a sculpture by Gareth Fisher, created in 1983. The work was originally exhibited at the Fruitmarket Gallery in 1986, and has subsequently been held in a private collection. The artist was very keen to include the work in the catalogue that I designed for his exhibition at Summerhall Lab Gallery, 8 March – 6 April 2025 but, because of the delicate fragility of the sculpture, the owner was (understandably) hesitant about lending the work to be photographed or included in the exhibition. 

Above is a scan of a large format negative of the sculpture, photographed by Duncan MacQueen, sometime in the 1980s – the negative is scratched in places and the background is discoloured, possibly due to the scanning process. Gareth wanted to use this image on the back of the catalogue and asked me to attempt to restore it. All the other photographs in the catalogue are by John McKenzie and were photographed at the same time, in the same space and light for consistency. 

To match this photograph with the others, I removed the background from the image then replaced it with a background taken from one of John’s photographs. Once the edges of the cut-out image of the sculpture had been tidied up and softened in places, and the scratches and blotches on the scanned image had been removed, I was surprised and pleased with the result – an image that doesn’t look too out of place alongside the excellent photographs taken by John McKenzie in the catalogue.

The owner of the sculpture finally agreed to the Lady and the Fan being included in the exhibition (in one of the glass cabinets of the Lab gallery) and it is interesting to see how the sculpture has changed over the last twenty-two years: the plaster has darkened, and the paper fan has yellowed and decayed. Unfortunately, there is no Photoshop filter that can restore the ravages of time in real life! 

Below is the restored photograph on the back of the catalogue along with the exhibition caption for the sculpture that I designed.