The poster (above) is A3, 297 x 420 mm, and the double-sided leaflet is A5, 148.5 x 210 mm, both have been printed by the Edinburgh Copyshop.
Public Faculty No 14 Poster and Leaflet
This is a poster and leaflet that I have designed for Public Faculty No 14, a project organised in partnership with Edinburgh Art Festival and WHALE Arts, by Dutch artist Jeanne van Heeswijk. The artist creates long-term community-embedded projects, which engage communities in taking control of their own futures. Public Faculty is part of a series of events which have taken place around the world, working with communities to re-think, re-define and re-enter public space through collective cultural action. This event aims to shape the development of a commission for Edinburgh Art Festival 2022.
The poster (above) is A3, 297 x 420 mm, and the double-sided leaflet is A5, 148.5 x 210 mm, both have been printed by the Edinburgh Copyshop.www.edinburghartfestival.com
The poster (above) is A3, 297 x 420 mm, and the double-sided leaflet is A5, 148.5 x 210 mm, both have been printed by the Edinburgh Copyshop.
Moyna Flannigan MATTER Book Cover
Hot on the heels of the printed running sheets that I posted last week, here is a finished copy of MATTER, a publication that I have been working on with the brilliant artist Moyna Flannigan. MATTER forms part of the artist’s forthcoming exhibition, Moyna Flannigan MATTER, at Ingleby Gallery, Edinburgh from 2 October to 18 December 2021. It has been a pleasure working on the book with Moyna and we are both delighted with how it has turned out.
You can find out more about the exhibition on the Ingleby Gallery website, here and more about Moyna’s practice on her own website, here.
The book is 48 pages, 155 x 210 mm with a soft cover and dust jacket and was printed and bound by Gomer in Wales. As well as featuring Moyna’s paintings and collages, the book features texts written especially for the publication by the artist, combining words and images to form a collage of interconnected ideas. Here you can see the front and back of the wraparound dustjacket as well as the cover of the book, which is printed in Pantone 226UP with reversed out lettering echoing the text on the front – this luscious pink is also printed in the inside cover – it looks great!
Bill Scott Book
Bill Scott
Published by The Bill Scott Estate to accompany a major retrospective of Scott’s work at the Royal Scottish Academy, Edinburgh, 2021
Edited by Jeanie Scott
Main photography by John McKenzie
Designed by James Brook
ISBN 978 1 5272 9649 7
Soft cover | 245 x 210 mm | 96 pages | Printed by Gomer, Wales on 170gsm Arctic Volume White with a laminated cover printed on 350gsm Galerie Art Matt
I am delighted to have designed this book about the work of the Scottish sculptor and past President of the Royal Scottish Academy, Bill Scott (1935-2012). Scott was a prominent and much respected Scottish sculptor who established and developed his practice in Edinburgh, whilst creating work for public spaces and exhibiting nationally and internationally. The book accompanied a major retrospective of Scott’s work at the Royal Scottish Academy, 1 August to 5 September 2021, that re-presented Scott’s work for contemporary audiences and explored its key themes and influences. Importantly, the exhibition was also an opportunity to fully explore Scott’s role as an educator, mentor and influence on the many artists he taught and supported.
The cover image is a detail of Exploration / Mapping, 2010 and the title text is Scott’s own lettering, drawn and modelled by the artist for his 1986 memorial to the football player and manager, Jock Stein, commissioned by Dunfermline Athletic Football Club. Bill’s family were very keen to have this hand-drawn text on the cover as it carries much of the warmth and character of this much-loved Scottish artist. The inside cover is a detail from an untitled collage from 1999, a nice contrast to the weightiness of the bronze sculpture on the outside.
The book is typeset in a mixture of Minion Pro for most of the body text; different weights of Scala Sans Pro for the captions, page numbers and other information; and for the titles, different weights of Hypatia Sans, chosen because of the typeface’s closeness to the artist’s own lettering on the cover of the book. The layout makes use of white space that gives the images space to breathe – I worked closely with the artist’s daughter, Jeanie Scott, on the placement of the images, paying particular attention to how the images an works related to each other both in terms of scale and subject.
Jeanie Scott, The Bill Scott Estate: It was a real pleasure to work with James on a monograph on the work of the late sculptor Bill Scott. James was engaged and enthusiastic from the start, he responded to the brief with great care and sensitivity and offered just the right amount of guidance and support in terms of the book’s design, feel and production.
Creating a publication during lockdown brought all sorts of challenges – James’ patience, experience and skill meant we were able to negotiate all sorts of hurdles together to deliver, on time, a book that beautifully presents the artist’s work, allowing it to breathe on the page and speak for itself. Above all James is a generous collaborator – he is genuinely interested in working with you to achieve the best design outcome. I can’t recommend him highly enough.
Moyna Flannigan MATTER Running Sheets
These are the running sheets for a publication that I have been working on with the artist Moyna Flannigan. I have been a long-time admirer of Moyna’s work and it has been a pleasure to work with her on this artist’s book. MATTER forms part of the artist’s forthcoming exhibition, Moyna Flannigan MATTER, at Ingleby Gallery, Edinburgh from 2 October to 18 December 2021.
I am very much looking forward to seeing Moyna’s work installed in the gallery and, having seen these printed running sheets, I am very excited to see the finished book.
The book is 48 pages, 155 x 210 mm with a soft cover and dust jacket and is being printed by Gomer in Wales; the photographs of Moyna’s work are by the brilliant John McKenzie, except one, which is by Peter Tijhuis. As well as featuring Moyna’s paintings and collages, the book features texts written especially for the publication by the artist.
You can find out more about the exhibition on the Ingleby Gallery website, here and more about Moyna’s practice on her own website, here.
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