Josef Müller-Brockmann 1
"Order was always wishful thinking for me. For 60 years I have produced disorder in files, correspondence and books. In my work, however, I have always aspired to a distinct arrangement of typographic and pictorial elements, the clear identification of priorities. The formal organisation of the surface by means of the grid, a knowledge of the rules that govern legibility (lines length, word and letter spacing and so on) and the meaningful use of colour are among the tools a designer must master in order to complete his or her task in a rational and economic matter."
Josef Müller-Brockmann
Read more
Archive
-
▼
2010
(54)
-
▼
November
(23)
- Language and Text
- The Grid System
- Josef Müller-Brockmann 2
- Josef Müller-Brockmann 1
- Typographic Hierarchy 1
- Cranbrook Design: The New Discourse
- Word and Image
- Elective A Visual Storytelling 3
- The Meaning of Typefaces 2
- Elective B Type Design 3
- Words are not signs
- Language
- Elective B Type Design 2
- Repetition
- Teenage Angst
- Expressive Typography / Expressive Typefaces
- Caroline Fabès
- MPP Draft 1.1
- Elective A Visual Storytelling 2
- Elective B Type Design 1
- Elective A Visual Storytelling 1
- Fat Times New Roman 2
- Fat Times New Roman 1
-
▼
November
(23)
Search
Categories
- App (1)
- Books (203)
- Business Card (1)
- Design (460)
- Exhibition Identity (139)
- Exhibitions (203)
- Identity (185)
- Leaflet (95)
- Logo (102)
- MA LCC (194)
- Magazine (6)
- Packaging (2)
- Postcard (16)
- Poster (88)
- Print (327)
- Typefaces (218)
- Typography (403)
- Writing (70)
Click here to subscribe to James Brook / Design
Please visit www.jamesbrook.net for more information
Please visit www.jamesbrook.net for more information
The content (content being images and text) of this website is copyright © James Brook
All rights expressly reserved
Powered by Blogger.